Burn7's audio Reviews on Newgrounds

[Stop That Man!]

Dig it! I do think it needs a bit more bass groove and some spatial awareness between the different instruments/frequencies but I like where it's going! I think my favorite bits are the solo-ish sections, those are really good and I'd encourage you to explore more melodic expression like that.

HEROICIS responds:

Thanks for the feedback! This song is probably 8 months to a year old at this point, but the original its based on is from like 2-3 years ago. I'm glad you liked it!

[Hiding Behind The Mistakes]

Solid work! I can tell there's some emotion in the note choice and thought behind some of the sections.

Would highly recommend looking into a bit more EQ focus, stuff like that synth that comes in at 0:48 could really do without the low end. Or the... I think it's a guitar or an electric organ? At 3:14, it doesn't really cut through with everything else going on.

Also maybe try experimenting with some slow automation of FX, building into something unique. I'm thinking that reprise at 1:53 could use some background ambience, something like wind swells or other heavily verbed tones just adding to the vibe. Perhaps some low and slow phasers or something on the piano that you automate the mix on over time, just something extra to breathe some life into the progression a bit.

But really though, solid job!

DunciFlipz responds:

Thx, I do have the project opened up still so I will start tinkering with it more. The sound at 3:14 is a modified sawtooth wave that I filtered(Probably need to filter it more, give it more reverb and put a compressor on it).

I'm also going to experiment with what you said "Wind Swells", Which can be done by using a noise channel going in to a slow rate phaser being automated by 0.25 semitones of pitch control.

But yeah, Glad you like it. ^^

[Doomsday Army]

Ah, yes. Some of the best of the heavies on NG.

Damn good, sirs. The riffs are heavy and clean, the vox are Divine Heresy but better.

Goddamn great job and grats on the fp!

DanJohansen responds:

Thanks man! A lot of love put into this doom haha rock on! ]m/

[Soleil Galaxy Guitar (Song Demo)]

Shit dawg the drum mixing on this is just superb.

Oh, yeah I mean I guess your ridiculous guitarwork probably should be mentioned also but THOSE DRUMS.

Seriously though, this is very Chunk! No Captain Chunk-esque and I dig the hell out of it. I can very nearly hear the Periphery/ADTR vox sections throughout this. Damn fine, matey. Damn fine.

BeyondOurEyes responds:

Ayee thanks for the love! Haha I spent a lot of time getting those drums just right, glad you dig the sound of em!

[KIngdom Come [Album Version]]

OH shit yeah dude! This is great!

Super massive drums in the intro, those were damn killer. And your harsh vox cut through SUPER well, this is an impressive mix dude.

Your vocals remind me of like a younger Dividian-era Machine Head vocal style, a bit more raw with a bit more passion. The growl/yell at 2:41 was especially good and reminiscent of that style.

Your kick/bass/guitar balance is fantastic, the kick cuts through damn well. My only complaint/recommendation is I think the vocals could be reigned in just a touch in the high freq and the cymbal/hat programming on the drums could use some love to give it more life but it's otherwise REALLY well done.

FarFromSundown responds:

Thank you so much for checking it out and leaving such an awesome review! I've always loved your work so your words mean alot! Would love to work together on a collab sometime if you're ever down!

[Neon By the Bay]

This is adorable af, I sure hope some of those youtube "synthwave/chillwave" mix people hit you up for the vibes. Cause this kind of thing is fantastic and deserves to be spread.

Minor note but I really appreciate you cut out your swells for added effect (at like 1:50). Details, mate. That's what makes the difference.

Also: solid ass guitarwork. All the notes, no notes.

TeffyD responds:

thanks man, I appreciate the kind words! Would be sick to hear it in one of those chillwave mixes lol.

[THE YEAR 2000 - 2023 AIM Submission]

This had me at the first goddamn filtered synth, I'm such a sucker for solid drippy techno tones. This could absolutely work in JSRF or UT with no modifications at all. If 12 year old me heard this song he would download it and listen on repeat forever. Immaculate vibes as usual, Teflon friend.

TeffyD responds:

Hell yeah thanks! What is it about a 303 that makes it feel 20 years older than it is lol.

[Something Wicked This Way Comes]

This is in the interest of constructive feedback with no intention to be mean. Especially because I can hear the essence of what you're attempting with this. I went and listened to a few of the other tracks and they all seem to have similar tonal issues to this one. In short: this track sounds like it's recorded on a microphone in a different room and the music is playing from a speaker stuck inside an algae-encrusted fishbowl. And if that was the goal, you nailed it. But otherwise you're going to want to pay more attention to your mixing, especially considering your other tracks also seem to have similar issues.

1st - The vocals. The actual performance itself is really good. I like the intensity a lot. But there is 0 effective clarity. The compression is out of this world. If you're going to compress this hard, use a gate to cut out the recording noise. For example, at 1:18 you can intermittently hear what sounds like white noise cutting through and I want to say that's your vocal recordings not having a proper noise gate while also being compressed to high hell and back.

2nd - The instruments: I'm not sure how to start with this other than I think you're doing what I did when I first started writing music. I didn't EQ anything, I just slammed a bunch of sounds and things together and called it good. The amount of frequency clash is just way too much. I can hardly make out any individual component of what is in this song, which if that's the goal than again you nailed it. But otherwise if we're talking about the traditional goal of mixing which is to provide clarity to each individual component of your mix while meshing them neatly together... this needs help.

3rd - Your master bus: I swear to god you've put some kind of effect on your master. Either a Low Pass filter that's going over the entire thing or like some kind of Izotope Trash 2 effect but it sounds... Well, like a game boy speaker coming from inside a plastic garbage can. It sounds like 1990's sony walkman headphones inside of tub filled with soap. It sounds like it's being streamed on my Microsoft Zune in 2004 in a lake of acid. I'm only using analogies like this because I don't have any better goddamn words to describe this tone but I hope you're getting what I'm putting down. Again, if this the ultimate design goal was this kind of tone you're nailing it but I suspect it isn't.

If you didn't intentionally design this song to sound like a vinyl record that is currently on fire while playing through wet cardboard speakers in a '93 honda accord, please look into proper mixing and mastering techniques. I wouldn't have spent the time to write a review if I didn't think you had real ass raw talent as evidenced by your tracks. But if you don't cultivate your skills (or at least hire a mixing engineer) your stuff will continue to sound washed out, vacant and unsatisfying.

Finally, if what I said doesn't apply to you and you're specifically going for that washed out, nearly vaporware tone but with punky/hardcore/metal intensity: You're nailing it and completely ignore everything I said.

ADarkerBreed responds:

Thanks for the honest comment, I appreciate the feedback and criticism, especially the picture you're painting of a 93 Accord. Issues with sound design are something I run into, filling the gap between what's in my head, what develops as I'm working on a song, and what I actually want it to sound like.

Edit: I uploaded a new version, I hope it's a bit more sonically rich.

[The Watcher]

This track is absurdly incredible.

It's lush, it's thin, it's fast, it's slow. It's heavy, it's light. It's atmospheric, it's sonically punishing. It's beautiful, it's ugly. It's tense, it's relaxing. It's not even just music anymore. Just looking at your tags, then the genre you picked should be an indication this is not a normal song. I wouldn't even call it just a song, it's an art piece.

From the creative use of the sampled portions to the structure of the melodies, to the texture of the synths to the punch of the percs. Nobody I know creates sound in such a unique way as this. It's a portrait of talent in it's purest form. It's that feeling of "fucking gross" when you see two people kissing who are in love, that kind of raw unformed emotional chaos made manifest.

It's absurdly incredible.

but no cowbell 0/10 try again

Cacola responds:

FUCK


SHIT





COWBELL ALBUM TIME BOYS, PULL OUT THE PHONK SAMPLE PACKS

[Too Smooth To Groove ft. PredatorMusic]

I could tell from the first set of notes this was gonna groove. And ooooooh it's smooth. Such a clean vibe. This is the most anime cafe shit I've ever heard in my life.

The guitar playing is fucking clean, the synths are spectacular and even that minimal bass is just grooving as fuck.

EDIT - Had to add this cause I just got to the guitar solo and shiiiiiiiiiit it's pretty godlike. Okay now I'm done.

TeffyD responds:

Thanks I appreciate it! I didn’t notice until mixdown that it’s very anime citypop sounding.